She had sent a note by messenger to Mary Stopperton to say she was coming. Mary had looked very fragile the last time she had seen her, just before leaving for France; and she had felt a fear. Mary had answered in her neat, thin, quavering writing, asking her to come early in the morning. Sometimes she was a little tired and had to lie down again. She had been waiting for Joan. She had a present for her. She turned and looked at him then. She wondered why she had ever thought him ugly.!

Her hand stole out to him across the table, but she kept her face away from him. Until she felt his grasp grow tight, and then she turned and their eyes met. If the gift were noble, so also it could not be ignoble to accept it.

It was at Madge Singleton’s rooms that the details of Joan’s entry into journalistic London were arranged. “The Coming of Beauty,” was Flora Lessing’s phrase for designating the event. Flora Lessing, known among her associates as “Flossie,” was the girl who at Cambridge had accidentally stumbled upon the explanation of Joan’s influence. In appearance she was of the Fluffy Ruffles type, with childish innocent eyes, and the “unruly curls” beloved of the Family Herald novelist. At the first, these latter had been the result of a habit of late rising and consequent hurried toilet operations; but on the discovery that for the purposes of her profession they possessed a market value they had been sedulously cultivated. Editors of the old order had ridiculed the idea of her being of any use to them, when two years previously she had, by combination of cheek and patience, forced herself into their sanctum; had patted her paternally upon her generally ungloved hand, and told her to go back home and get some honest, worthy young man to love and cherish her. She walked up the Rue des Sts. Pères, enjoying the delicious air. Half way across the bridge she overtook a man, strolling listlessly in front of her. There was something familiar about him. He was wearing a grey suit and had his hands in his pockets. Suddenly the truth flashed upon her. She stopped. If he strolled on, she would be able to slip back. Instead of which he abruptly turned to look down at a passing steamer, and they were face to face. Returning to the interior, Joan had duly admired the Cheyne monument, but had been unable to disguise her amusement before the tomb of Mrs. Colvile, whom the sculptor had represented as a somewhat impatient lady, refusing to await the day of resurrection, but pushing through her coffin and starting for Heaven in her grave-clothes. Pausing in front of the Dacre monument, Joan wondered if the actor of that name, who had committed suicide in Australia, and whose London address she remembered had been Dacre House just round the corner, was descended from the family; thinking that, if so, it would give an up-to-date touch to the article. She had fully decided now to write it. But Mary Stopperton could not inform her. They had ended up in the chapel of Sir Thomas More. He, too, had “given up things,” including his head. Though Mary Stopperton, siding with Father Morris, was convinced he had now got it back, and that with the remainder of his bones it rested in the tomb before them.